The fifth installment of our Quito season is out now, and as you can see our cast has been busy.  There’s no small amount of adventure in Jet Set Zero, and getting to share it with an audience is what keeps me going.  But it’s not without its frustrations, either, because I know that I’ll never be able to share everything that happens.

No, I’m not talking about that time that Ryan had to outrun the cops who spotted him peeing in Quito’s main plaza in broad daylight (although that’s not in the episodes either.  Sorry).  I’m talking about the realities of story and editing which make it so that certain adventures will never make the cut.  Take this episode, for example.  We see the gang’s hike around the lagunas, but what we don’t see is the night that followed, when Freddie and Ryan met up with a bunch of Otavalo locals and hiked through the woods to a solstice celebration at a waterfall.  I know!  It’s even cooler than it sounds.  So why don’t we show it?

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“It’s all fun and games until someone gets their soul stolen. ”

-Evan the cameraman, reflecting on the not-so-fun events of Episode 3

As a producer working in developing countries, it’s important for me to have my priorities in order.  My list looks a little something like this:

1.  The safety of my friends.
2.  The security of the equipment.
3.  Not getting ripped off by taxi drivers.
4.  My safety.

Over the course of working for JS0 I’ve developed a few strategies and techniques to help make sure that everything remains cool.  I can’t share them all with you, sadly, because then they won’t be as useful, but these are the things I’m thinking about on a daily basis.  Anytime we plan a trip to a new town (or go somewhere unplanned),  walk into a dark, bustling club, or attract the glances of on-lookers as we film in the streets, I’ve got an eye out for possible problems.  As travelers in a foreign land we already stand out, but with the camera in hand our visibility and the ensuing risk can quickly multiply.

Some solutions are simple.  Putting the camera away and looking angry works 80% of the time.  Other times we have to leave the situation entirely.  It’s shitty, but it’s a fact of life.  Or it is in Ecuador, anyway.

I’m trying to think of instances in Vietnam when I feared for the safety of my friends or my gear, and I’m coming up short.  That’s not to say that Saigon is some crime-free paradise; while there I saw cell phones stolen out of tourists’ hands by guys on motorbikes and a couple shady situations that I had to steer clear of.  But after living in Saigon’s backpacker district for a month and taking proper precautions, I felt safe walking around unaccompanied with the camera.  Vietnam may have some petty theft, but muggings and robberies are almost unheard of.

Not so in Quito.  (more…)

My name is Evan and I’m a producer with Jet Set Zero.  I follow my friends around, film everything they do, then help piece it together into episodes like the one you (hopefully) just watched.  I have an awesome job and I’m insanely lucky, which is why I’ve been happy to remain anonymous throughout this whole process.  Also, my bosses determined that I don’t meet our standards of attractiveness.  But while I may be barred from appearing on camera, there’s no rule in here that says I can’t blog, so after 8 months of producing, shooting, and co-editing, I’ve decided to break the silence and share with you a little bit of what goes in to crafting this series.

For starters, you should know that everyone who works for JS0 is a complete masochist.  Most companies that produce shows like ours do so with a crew of at least 3 people in the field.  They also have an editor, assistant editor, and a couple technicians back in the States to put it all together, and then a whole slew of people whose jobs are to encode, embed, advertise, track, quantify, and sell it.  Here at Jet Set Zero, we thought it would be funny if we did all of that but with only 4 people.  Total.  It turns out that we were kinda right; We’re in the midst of producing our seventh season, and each person involved works around the clock to bring episodes to air.  And we love it.

Making it look easy.

My current 24-hour shift started in late April, when I flew down to Quito.  I hoped to get acclimated to the altitude, improve my limited Spanish, and get a general feel for the city in the week before the cast arrived.  I had been warned that climbing stairs and drinking beer would be challenging at this height, but I was happy to find that it was just the stairs.  On my second day in town I climbed to El Panacillo, the highest point in Quito, and definitely felt a bit winded up top.  I immediately went back down and found the lowest bar I could find, which was actually just a pool table with some crates around it and a kid selling cigarettes.  Unfortunately, those crates were still 9,350 feet in the air, so it wasn’t a huge relief.
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“I only sweat when exercising or thinking about the future”

-Evan, confirming what we all suspected